Not only is it a poor entry in the post-apocalyptic sci-fi genre - even worse, After Earth is not a good blockbuster.
It's all about the cars and any plot pot-holes are obscured by burning rubber and blinding speed.
Is Baz Luhrmann's version of The Great Gatsby as great as its title promises?
You know that old saying "all good things come in threes"? Well, it's not the case with the latest Hangover instalment.
If you were impressed by Abrams' <i>Star Trek</i> then you will love <i>Star Trek Into Darkness</i>.
Playing out like a novel impossible to put down, come the end, Derek Cianfrance turns the final pages for you, leaving you profoundly satisfied.
Beneath the gratuitous feast of beach, boobs and booze lies a hypnotic LSD trip of a film that goes to unexpected places
<i>Iron Man 3</i> bears a heavy weight of expectation. Does it live up to the hype?
<i>Iron Man 3</i> bears a heavy weight of expectation. Does it live up to the hype?
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